“Ambush,” 1950, Is Playing on TCM on August 17 (USA)

Ambush (1950) is playing on Turner Classic Movies on Sun, August 17, 2014 07:15 AM est. Closed captioned.


Ambush is a gripping, authentic, action-packed, dramatically compelling picture of the United States Cavalry in the 1870’s Arizona territory. It was producer/director Sam Wood’s final movie, filmed shortly before his sudden death in September 1949 and released in January 1950. For top star Robert Taylor, now in his early forties (actually 38), weathered but gracefully aged, it was an auspicious beginning to what would be a close association with the Western genre for the rest of his career.

While there is plenty of action in Ambush, its intense, nuanced character studies are what sets this dynamic Western apart from the crowd. Taylor plays a tough, savvy civilian scout at odds with by the book Army captain John Hodiak, both over campaign strategy and the affections of gorgeous Arlene Dahl, a late general’s daughter hoping the cavalry can rescue her sister from Apache captivity. As if one love triangle were not enough for a dusty, little Army post, the first lieutenant Don Taylor is madly and hopelessly in love with the beautiful Irish laundress (Jean Hagen), the loyal Catholic wife to a drunken lout of an enlisted man (Bruce Cowling), who frequently socks her around. When a disabling injury to the major in command of the post (Leon Ames) puts the spit-and-polish captain temporarily in charge, everything comes to a boil. Not as soapy as it sounds but sensitively directed by Wood and perfectly acted by all concerned. The scenes of poignant longing tinged with guilt between Don Taylor and Ms. Hagen nearly steal the show. The rich supporting cast includes, as well as Ames and Cowling, John McIntire as an older scout, Pat Moriarity as the top sergeant, and also Charles Stevens, who claimed descent from Geronimo, as the vicious, resourceful Apache leader Diablito.

The script by Marguerite Roberts from a Luke Short story is intelligent and engaging with clever, brisk, colorful dialog. Harold Lipstein’s moody black and white cinematography and Rudolph G. Kopp’s textured score enhance the gritty, realistic, yet slightly nostalgic ambiance. Editing is silky smooth, as in almost any big studio picture of this era. The all important pacing is perfect. The compact 89-minute running time moves along at a brisk pace, building suspense, never dragging, but taking enough breathers to build character and create atmosphere. Costumes and sets are first-rate and authentic. Real-life western Army forts during the Indian War era did not have palisade walls, and, refreshingly, neither does the one in this handsomely turned out Western. More importantly, the characters act like nineteenth century people, with the social attitudes of the time, yet without seeming stiff.

With apologies to John Ford fans, which includes yours truly, Ambush is the best of its type. Whereas Ford, who liked to portray everything bigger than life, tended to make the cavalry too grand and romantic, Wood gives us the real Old West Army — long-service soldiers serving loyally but thanklessly at dusty, out of the way posts neither finding nor expecting much in the way of comfort or glory.

Ambush is a thrilling, dramatic, atmospheric, authentic adult Western, engaging, charming, and entertaining from beginning to end. The opening and closing scenes of this picture are both real knockouts! This is an unappreciated classic. Top-notch entertainment from Old Hollywood’s Golden Era.  Author: oldblackandwhite from North Texas stocks for the IMDb.

About giraffe44

I became a Robert Taylor fan at the age of 15 when his TV show, "The Detectives" premiered. My mother wanted to watch it because she remembered Mr. Taylor from the thirties. I took one look and that was it. I spent the rest of my high school career watching Robert Taylor movies on late night TV, buying photos of him, making scrapbooks and being a typical teenager. College, marriage and career intervened. I remember being sad when Mr. Taylor died. I mailed two huge scrapbooks to Ursula Thiess. I hope she got them. Time passed, retirement, moving to Florida. Then in 2012 my husband Fred pointed that there were two Robert Taylor movies that evening on Turner Classic Movies--"Ivanhoe" and "Quentin Durward." I watched both and it happened all over again. I started this blog both for fans and for people who didn't know about Robert Taylor. As the blog passes 200,000 views I'm delighted that so many people have come by and hope it will help preserve the legacy of this fine actor and equally good man.
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12 Responses to “Ambush,” 1950, Is Playing on TCM on August 17 (USA)

  1. dianne345 says:

    Robert Taylor, in January 1950, would have been 38, not in his early 40s. He didn’t turn 40 until August 5,1951, the year the huge blockbuster “Quo Vadis,” which revived his career after a post-war slump following his service in the Navy, was released.


  2. giraffe44 says:

    You’re right, of course. People often get his age wrong, but I should have caught this. Thanks, Dianne.


  3. Love it another western Robert Taylor wore his gone on the left.. #LeftHanded in this movie.


    • giraffe44 says:

      Hmm. I don’t remember noticing that but I’ll look more carefully next time. Judith


      • Hi Judith.. sorry about typo… meant to say Gun on his left.
        The poster above… interesting it shows him right handed for the movie #Ambush.
        Just curious why either Robert Taylor or the Director/Writer/Producer decided he wear his gun on his left(I know he did this for Billy The Kid Movie). Maybe since Taylor was making another western he wanted to switch it up again….. Since he trained so much to use the gun on left or right side.


      • giraffe44 says:

        Hi, Becky. Good thought. Maybe Mr. Taylor enjoyed the challenge of shooting left handed. Judith


  4. Hi Judith,
    Robert Taylor riding his horse in the movie? Buckskin. I notice in 1 part of the movie at the beginning riding the Buckskin… He had the Military hooded stirrups on the saddle & later in the movie when they went to look for the Sister who was kidnapped… No hooded stirrups.. just the regular stirrups on the saddle.


  5. giraffe44 says:

    This is probably a continuity error, Becky. They happen now and then. In one film his bow tie changes from black to polka-dotted and then back again. It’s kind of disconcerting. Judith


  6. Hi Judith….. do you know if Robert Taylor grew the beard out for the movie or was it an attached beard? I read he can grow facial hair really fast… He had to shave a lot for some movies…


    • giraffe44 says:

      Becky, I suspect it was his own beard. He had a very heavy beard and shaved twice a day. I remember reading somewhere that Mr. Taylor showed up at an event with a full beard. I never really liked even the mustache, although it works in “Johnny Eager” and “Party Girl.” Judith


  7. Hi Judith…. I agree with you about the Beard…
    As for the Taylor Mustache.. I love it!


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