Her Cardboard Lover, 1942 Is Playing on TCM on Demand Until September 9 (USA)

Her Cardboard Lover, 1942, is playing on Turner Classic Movies on September 2 at 3 p.m. est  and on TCM on Demand until September 9. Not closed captioned.

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Robert Taylor and Norma Shearer in “Her Cardboard Lover,” 1942

What a delight! Robert Taylor is hired by Norma Shearer to be her Cardboard Lover to make her real love, George Sanders jealous. Taylor has been in love with Shearer but has never even spoken to her, too afraid to be rejected. When he finally speaks, he says “I love you” which makes Shearer think he is crazy. Later in the casino he loses $3000 dollars of which he has none, and he is employed by her to work off the debt. George Sanders is a cad but she is in love, and tells Taylor he is never to leave her alone, so that she can rid her mind of Sanders. Every time she tries to get to Sanders, he is there, in the hall, in the bedroom, on the balcony, eating a banana outside the door, totally insane. In one scene when Sanders comes to her bedroom to tell her they can be together if she accepts him as is, Taylor comes out of the bathroom in her pajamas with fluffy slippers and all, and hops into her bed, sending Sanders into a rage. Very, very funny indeed. They argue, he has a fist fight with Sanders, they wind up in jail, but in the end she realizes that it was Taylor all along that she loves, and all ends well. This film comes on the heels of “Johnny Eager” in which Taylor had the best of all roles as the sociopath gangster. Talk about versatility, they should never have sold this great actor short. He could play comedy or drama just as well. The teaming of Shearer and Taylor was their second, coming after “Escape” a pre-war drama about Nazi Germany. They are great together, and it is a shame that this film was Shearers last film. Review by mamalv for the IMDb.

Behind the scenes photos:

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Left to right: Taylor and Shearer; Director George Cukor and Taylor
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Left to right: Chill Wills, Taylor, Shearer; Cukor and Taylor; Taylor and Shearer

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Robert Taylor on the Radio – Saturday’s Children, 1936

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Saturday’s Children, starring Robert Taylor and Olivia de Havilland was broadcast on October 26, 1936 on the Lux Radio Theater.  The title comes from a Mother Goose Rhyme: Monday’s child is fair of face, Tuesday’s child is full of grace; … Continue reading

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Robert Taylor Trivia: Auto Registration

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This is Robert Taylor’s auto registration for 1962.  Mr. Taylor was not one for flashy new cars at this time in his life. He owned a 1954 Dodge.  The registration fee of $13 seems reasonable. This was recently for sale … Continue reading

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Three Comrades, 1938, Is Playing on TCM on August 26 (USA)

Three Comrades (1938) is playing on Turner Classic Movies on Thursday, August 27, 2015 09:15 AM est.  Closed captioned.

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Margaret Sullavan, Robert Taylor, Franchot Tone and Robert Young.

New York Times Review (summary):  Based on a novel by Erich Maria Remarque, Three Comrades represented one of the few successful screenwriting efforts of  F. Scott Fitzgerald. Set  in Germany in the years just following World War I, the film stars Robert Taylor, Franchot Tone and Robert Young as three battle-weary, thoroughly disillusioned returning soldiers. The three friends pool their savings and open an auto-repair shop, and it is this that brings them in contact with wealthy motorist Lionel Atwill–and with Atwill’s lovely travelling companion Margaret Sullavan.  Taylor begins a romance with Sullavan, who soon joins the three comrades, making the group a jovial, fun-seeking foursome Though Sullavan suffers from tuberculosis (her shady past is only alluded to), she is encouraged by her male companions to fully enjoy what is left of her life. This becomes increasingly difficult when one of the comrades, Young, is killed during a political riot (it’s a Nazi riot, though not so-labelled by ever-careful MGM). In the end, the four comrades are only two in number, with nothing but memories to see them through the cataclysmic years to come. Despite its Hollywoodized bowdlerization of the Remarque original, Three Comrades remains a poignant, haunting experience. ~ Hal Erickson, Rovi

Some promotional material:

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Times Square Lady, 1935, Is Playing on August 25 (USA)

Times Square Lady, 1935 is playing on Turner Classic Movies on August 25 at 7:15 a.m. est.  This is a very rare T-Square-lady02showing of an early Robert Taylor movie.  Set your DVR.  Not closed captioned.

MGM studios released two films with Robert Taylor early in 1935. Society Doctor, starring Chester Morris, Virginia Bruce and Robert Taylor premiered in January. Times Square Lady followed in March, starring Robert Taylor. Virginia Bruce and Pinky Tomlin. Lady is a solid gangster film, with a strong cast backing Taylor and Bruce. Isabel Jewell is Bruce’s wise-cracking sidekick, Nat Pendleton is his valet, Helen Twelvetrees his girl. The rest of the cast consists mostly of a wonderfully slimy bunch of crooks played by Jack Kramer, Henry Kolker, Raymond Hatton, Russell Hopton, Fred Kohler and Robert Elliott.

The plot is fairly straightforward. A wealthy promoter dies and his shady underlings assume they will take over his considerable holdings. To their surprise, the deceased had a daughter (Bruce) who is his sole heir. With a paternalism bordering on contempt, they plan to report to her that there is no money for her to inherit but they will take his properties off her hands for a fraction of their worth.

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Robert Taylor and Helen Twelvetrees

To convince her to sell, the crooks stage some incidents to demonstrate how bad it all is. Gang member Robert Taylor is assigned to charm the lady out of her holdings. Taylor manages a nightclub and this introduces a subplot involving singer/songwriter Pinky Tomlin, creator of such songs as “The Object of My Affection” and “What’s the Reason (I’m Not Pleasin’ You?).

Taylor frequently played dubious characters who find redemption in such films as “Rogue Cop” and “Johnny Eager.” Here he is saved by his love for Miss Bruce’s character. As happened not infrequently they were also a couple off screen.

The last quarter of the film is filled with action, car chases, fights, shootings and a lot of double crossing. The film moves quickly and benefits from comic relief by Tomlin, Pendleton and a cow named either Daisy or Bossy.

Robert Taylor is very young and very thin. The physical differences between the Taylor of Times Square Lady (filmed late 1934) and His Brother’s Wife (filmed in 1936) are striking. Nonetheless he is effective here, combining toughness with energy and humor. Bruce and Taylor have good chemistry together. The film was generally well received in its day, with the New York Times calling it “a bit of light divertissement.” Review by me for the IMDB.

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