Camille, 1936, Is Playing on TCM on February 5 (USA)

Camille, 1936, is playing on Turner Classic Movies on February 5 at 1.45 pm est. Closed captioned.   This is the best romantic movie ever and you can watch it before the Super Bowl!

???? This film further proves that the assembly-line system of Hollywood studios back then should also be taken seriously in terms of artistry. Just because movies were produced run-of-the-mill doesn’t mean that they weren’t paid critical attention to by their makers. The usual impression on studio-era Hollywood is: take a formulaic narrative style, maybe adapt a stage play for the screen, blend in a handful of stars from the stable and the films rake in the profit at the box office. Not quite, that’s the easy perception. George Cukor, another of those versatile directors, made it apparent with Camille that filmmaking as an art may still flourish despite (and even within) certain parameters. Camille is beautiful, in so many respects. And it’s not just because of Greta Garbo.

Sure, the acting is amazing, the casting is perfect. Garbo is luminous, mysterious, cruel, and weak at the same time. Robert Taylor surrenders himself to be the heartbreakingly young and vulnerable Armand. Henry Daniell’s coldness and sadism is utterly human and familiar. The others are just plain wonderful. The writing contains so much wit and humor, devotion and pain – but it never overstates anything. The rapport and tensions between lovers, friends, and enemies are palpable and consistent. The actions flow so naturally, just like every scene, that checking for historical inconsistencies seem far beside the point.

There is so much that I love about Camille that it’s hard to enumerate them all, but with every little discovery comes the realization that this is “but” a studio production, so it makes the experience more exquisite. Camille is a gentle, poignant romantic movie that, like Garbo, takes its place delicately and self-effacingly in the history of American cinema, but makes itself indelible in the heart and mind of the lovelorn individual viewer. Review by tsarevna for the IMDb.

Some behind-the scenes-from Camille.

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RT649019361936He also plays baseball-in costume on the set.

19361936cukor-rt11936 taking pills (Vitamin?)

Camille-behind-the-scenesRT646RT27911936; original caption--time out for movie idols

RT3881RT7407Greta Garbo Pointing at George Cukor

Making Marguerite’s Dresses:

RT7386936: A dressmaker working on one of Greta Garbo's dresses for the MGM film 'Camille' which were designed by Adrian. (Photo by Hulton Archive/Getty Images)circa 1936: Seamstresses working on a dress to


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He Said, She Said Part One: Stanwyck on Taylor

This gallery contains 8 photos.

A movie magazine published both articles around 1947.  They are as told to Gladys Hall.  How much is real, I don’t know.  But they are fun. Barbara Stanwyck on Robert Taylor Oh brother, can you sleep!  Not criticism, this.  Envy, … Continue reading

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The 2017 Robert Taylor Calendar Is Finally Ready

After a couple of months work the 2017 Robert Taylor calendar, that I call Robert Taylor and the Ladies, is finally ready. Some of you will appreciate that I now have Windows 10 which screws up everything. None the less, here it is, 12 great pictures of Mr. Taylor with various women and calendar pages marked with significant dates in his life. The pictures are thumbnails. You can click on them for full size. The files are very large so resize them as you please.

To see the calendar, click on the link above.

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Quentin Durward, 1955, Is Playing on TCM on January 14 (USA)

Quentin Durward, 1955, is playing on Turner Classic Movies on Saturday, January 14 at 2:00 p.m. est.  Closed captioned.

RT1646Director: Richard Thorpe. Robert Taylor, Kay Kendall, Robert Morley, George Cole, Alec Clunes, Duncan Lamont, Marius Goring. Taylor plays Sir Walter Scott’s dashing Scots hero in this handsome but static costumer about Louis XI’s reign in 15th- century France. CinemaScope. TCM capsule review.

This is a film to be watched with a wide and affectionate grin. Outstanding are Robert Morley as Louis XI, the infamous and wily ‘Spider’ of France, and Robert Taylor as the eponymous Durward, a would-be chivalrous hero born out of his time who is none too sure of himself. The necessary, and highly satisfactory, heroics are spiced with a rich leavening of humor and some genuine moral questions – how much should a man sacrifice for his country’s sake? His love? His life? His honor?

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But above all it is a joyous and thrilling romp that doesn’t take itself too seriously. Durward wants to be a knight in shining armor, but circumstances tend to conspire against him, and his lady is definitely the stronger-willed of the two; though like the audience, she cannot resist his puppy dog charm. And ambiguous, cynical, cowardly Louis is often in danger of stealing the show outright, as he sits at the center of his web and pulls the strings that manipulate all the other characters – a far-from-two-dimensional villain after my own heart!

Definitely a superior swashbuckler, with a saving vein of humor. Review by lgenWordsmith on IMDB

These are a few behind the scenes photos:

RT4931RT2409Taylor's new leading lady. KK, one of Britain's most popular stars, is seen rehearsing with RT for her role with him in Sir WS's QD, being filmed by MGM in C-scope and color in England and France.
Left to right: with Stewart Granger, unknown fan or gypsy dancer, Kay Kendall

 

 

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The Crowd Roars, 1938, Is Playing on TCM on January 6, 2017 (USA)

The Crowd Roars, 1938, is playing on Turner Classic Movies on January 6, 2017 at 9:00 a.m. est. Not Closed captioned.

crowd3Boxing doesn’t appeal to me, either for real or on screen so I approached The Crowd Roars with some trepidation. However, boxing is only the excuse for a film on the Depression, on corruption, on poverty and crime. Robert Taylor is superb as Tommy “Killer” McCoy, a young man who enters the ring strictly for the money. He has had the wolf at the door and doesn’t want to see it again. His distaste for being a “pug” and his longing for respectability come into play as he meets Maureen O’Sullivan and gets a glimpse of how “the other half” live. The fight scenes are exciting and vivid but not glamorized. A scene in the gym introduces a cast of brain-damaged pugs as Taylor prepares for his first big fight. The cinematography is excellent as is the lighting. There are no bad performances. Frank Morgan is the drunken father, Maureen O’Sullivan is the love interest, Edward Arnold the gangster, Lionel Stander the trainer. Jane Wyman has a small but pivotal role as a southern airhead. Highly recommended.  Review by me for the Imdb.

Some behind the scenes photos:

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Left to right: unknown; Gene Reynolds, Robert Taylor; Frank Morgan, Mr. Taylor, Lionel Stander; Frank Morgan, Mr.Taylor, Edward Arnold

RT530619381938
Left to right: Robert Taylor, unknown; unknown, Margaret Sullavan, Mr. Taylor; Richard Thorpe, Mr. Taylor

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A break on the set.

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