Johnny Eager, 1942, Is Playing on TCM on September 7 (USA)

1942, is playing on Turner Classic Movies on Friday, September 7 at 10:15 a.m. est. This is one of Mr. Taylor’s best. Don’t miss it.

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Robert Taylor and Lana Turner in “Johnny Eager.”

Directed by Mervyn LeRoy. Cast: Robert Taylor, Lana Turner, Edward Arnold, Van Heflin, Robert Sterling, Patricia Dane, Glenda Farrell, Barry Nelson. Slick MGM melodrama with convoluted plot about sociology student (and daughter of D.A. Arnold) Turner falling in love with unscrupulous racketeer Taylor. Heflin won Best Supporting Actor Oscar as Taylor’s alcoholic friend.(TCM)

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Having only been familiar with Robert Taylor’s body of forgettable [humpf!] work from the thirties (The Broadway Melodies, Camille, etc), seeing him in the title role of Johnny Eager was stunning. Tom Hanks’s 180 degree turn from silly comedies to Philadelphia might be a modern day equivalent. Taylor steps into a role that would seem tailor made for Bogart, Cagney or Robinson, and does an arguably better job than any of them could have. Yes, Lana Turner is present, and yes, Van Heflin won a supporting Oscar, but Taylor owns this film.

Johnny Eager is one of the best films of the 40s, as well as one of the all time greats.
(Taken from a review by Justin Behnke on the IMDB).

Some behind the scenes photos:

Robert Taylor and Mervyn LeRoy
Robert Taylor and Lana Turner
Receiving direction.
Rehearsing the ending with Robert Ssterling.
Going over the script.

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Waterloo Bridge, 1940, Is Playing on TCM on September 1 (USA)

Waterloo Bridge, 1940, is playing on Turner Classic Movies on Friday, September 1 at 10:15 a.m.

This was both Robert Taylor’s and Vivien Leigh’s favorite film.  Waterloo Bridge cost  $1,164,000.00 to make and made a profit of  $491,000.00.

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Robert Taylor was an inspired choice for the role… Not only does he have an imposing screen presence, but he brings the perfect mix of enlightenment, humor, compassion and emotion to the part…

Opposite him, Oscar Winner Vivien Leigh, perfect in her innocent lovely look, radiantly beautiful, specially that evening in a trailing white chiffon gown… Leigh floods her role with personal emotion giving her character a charismatic life of its own… As a great star, she delivers a heartfelt performance turning her character into a woman who undergoes an emotional awakening…

In this sensitive motion picture, Mervyn LeRoy captures all the tenderness and moving qualities… He makes every small thing eloquent, concentrating the highly skilled efforts of many technicians on the telling of a very simple bittersweet love story… Vivien Leigh paints a picture that few men will be able to resist… Her performance captures the audience to the point of complete absorption… Robert Taylor (carrying sympathy all the way) quietly throws all his vitality as an ambitious actor into the task… Their film, a credit to both, is a heavily sentimental tale about the vagaries of wartime…

Love is the only thing this movie is about… The story is simple: Myra Lester (Leigh) is a frail creature, an innocent young ballet dancer and Roy Cronin (Taylor) is an aristocratic British army officer… When their eyes met it took no time at all for their hearts to feel the loving call… They meet on London’s Waterloo Bridge during an air raid, and fall deeply in love… Their romance is sublime, and they soon agree to marry…

The lover’s marriage has to be postponed when the handsome officer is suddenly called to the front… Sadly, the sweet ballerina misses her performance to see her captain off at Waterloo Station… Fired from the troupe, she is joined by her loyal friend, Virginia Field (Kitty Meredith), and the two vainly try to find work, finally sinking into poverty and the threatening fear that goes with it…

The film is replete with beautiful and poignant scenes, specially the ‘Auld Lang Syne’ waltz scene in the Candlelight Club, before Taylor leaves for France…

Seen today, Waterloo Bridge has retained all its charm and power, all its rich sentiment, and tragic evocations…  Review by Righty-Sock (robertfrangie@hotmail.com) from Mexico for the IMDB.

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Some behind the scenes photos:

Mervyn LeRoy, Vivien Leigh, Robert Taylor.
With Olivia deHavilland.
Helping a lady out.
circa 1940: British actors Vivien Leigh (1913-1967) and Laurence Olivier (1907-1989) entertaining millionaire Sir Victor Sassoon on the set of ‘Waterloo Bridge’, a Metro Goldwyn Mayer film in which Leigh is currently starring. (Photo by Hulton Archive/Getty Images)
Mr. Taylor, Mr. LeRoy, Ms. Leigh.

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August 5th Is Robert Taylor’s Birthday

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August 5th would have been Robert Taylor’s 112th birthday. Robert Taylor’s career spanned four decades.  Mr. Taylor belonged to the greatest generation, loved his country and his family.  Robert Taylor was an extremely talented and versatile actor and a good  man, husband and father.  We could use more like him today.

Martha Crawford Cantarini, stunt woman. “He was one of the legendary faces in motion picture history, but I knew him as a quiet, shy, educated gentleman whose honesty was reflected in that famous face. Early in his career, he once told me, he had vowed to always appear in movies that the whole family could see and had endeavored to keep that promise. A gentle human being, Bob loved his horses just as he did his family. He had an extraordinary quarter horse named Tommy whom I also loved from my first day on the set. (Martha Crawford Cantarini, Fall Girl: my life as a western stunt double. page 168)

George Cukor, director. “Robert Taylor was my favorite actor. He was a gentleman. That’s rare in Hollywood.” (W.F. Buckley, “MGM Moles Dig Themselves a Hole,” Column, Jan 30, 1990)

Ava Gardner, actress. Gardner recalled Bob as a “warm, generous, intelligent human being.”  Ava Gardner, Love Is Nothing. (Tranberg)

Tay Garnett, director, “(Taylor) was one of the world’s great gentlemen….He was serious minded, hard working and keen. In spite of his astounding good looks, he was determined to be a fine actor, and not merely a star.” (L.J. Quirk, The Films of Robert Taylor, 1975, p. 102)

Deborah Kerr, actress. “When one thinks of his extraordinary good looks, he had every right to be a bit spoiled, but not Bob. He was unassuming, good natured and had a wonderful sense of humor…I felt he was a much better actor than he was given credit for.” (Tranberg)

Edwin Knopf, producer. “Those character traits (normalcy and decency) which are so inbred communicate themselves to the audience. Audiences sense the fine qualities and like them. In addition, he’s a fine artist, a no-nonsense guy who studies his script more thoroughly than any actor I know. (Wayne, p. 206)

Robert Loggia, actor. “Bob was an extremely talented artist. He was also the ultimate gentleman and a true professional who followed the rules of the day—arrive on time, know your lines and be willing to do what had to be done to make the picture successful. Here was a guy who could convincingly play the romantic lead opposite Garbo in a picture like Camille and be just as convincing playing a cowboy. Now that’s range, but the critics really never gave him his due.” (Tranberg)

Joe Pasternak, producer. “(Taylor was) the nicest guy in the picture business….he stays out of trouble, does his job and does it well, and the crew loves him.” Tranberg

Lawrence J. Quirk, author. (Taylor) was a true gentleman and a finer artist than he would admit to himself or to others. He was well educated, socially tactful, kind and highly intelligent….An American to the core, he loved his land, kept the faith and looked for the best.” L.J. Quirk, The Films of Robert Taylor, 1975, page 11, 12.

Ronald Reagan, actor, President of the United States. “Perhaps each one of us has his own different memory, but somehow they all add up to ‘nice man.’” Eulogy for Robert Taylor, June 11, 1969.

Richard Thorpe, director. “He’s a rarity. A lot of big stars are really heels off screen and the public doesn’t know it at first. It takes them awhile to discover it. But Bob is really a nice guy and it comes through on screen. Also, he’s a rugged, handsome man and they’re pretty few and far between these days. (Wayne, p. 206)

William Wellman, director. “I was crazy about Bob Taylor…..I think Bob Taylor’s probably one of the finest men I’ve known in my whole life. And he was an actor. And he was probably the handsomest one of them all. He did everything I asked him to. He was wonderful.” (William A. Wellman by Frank Thompson.)

Robert Young, actor. “Taylor, who was perfectly capable as an actor, but he was so damn handsome that he, like Tyrone Power, looked almost feminine. He was what you might call a beautiful man. He was a wonderful, wonderful person. And a good actor, too.” (1986 interview with Leonard Maltin)

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I Love Melvin, 1953, Is Playing on TCM on August 6 (USA)

I Love Melvin, 1953, is playing on Turner Classic Movies on Sunday, August 6 at 4:30 p.m. est.

Okay, I Love Melvin isn’t a Robert Taylor movie.  It is a fun movie with a delightful cameo by Mr. Taylor.

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Robert Taylor and Debbie Reynolds in “I Love Melvin.”

This film is an absolute delight from the pre-credit sequence where Debbie Reynolds writes the title of the film in lipstick on a mirror to the hilarious chase through Central Park at the end. In between Debbie dreams of becoming a Hollywood star in some magnificently staged dream sequences, thanks to the genius of Cedric Gibbons, in one of which she meets Robert Taylor as Robert Taylor! In another sequence she dances with three dancers in Fred Astaire masks and three in Gene Kelly masks – before winning an Oscar! Great stuff.

Debbie is perfect as both great movie star and girl next door. Her Broadway performance as a football is a riot. Equally good is Donald O’Connor as her lover and aspiring photographer. His roller-skate sequence is brilliant, as is a dance sequence in which he travels the world and plays numerous characters (again thanks to Gibbons). There is great support from Allyn Joslyn, as Debbie’s exasperated father, and from Jim Backus as a crabby photographer. And the little girl has a good song too.

The score is jazzy and upbeat, and it’s great to see the real Central Park and other New York locations, shot in gorgeous technicolor. I think this terrific musical is very under-rated.
Review by David Atfield (bits@alphalink.com.au) from Canberra, Australia for the IMDb.

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Trivia: Howard Keel was to have originally been the star in Judy (Debbie Reynolds)’s dream, but Keel and his song “And There You Are” were cut after previews and replaced with a brief scene between Reynolds and ‘Robert Taylor’.

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Two Robert Taylor Films Are Playing on TCM on June 26 (USA)

On Monday, June 26, two Robert Taylor films from the 1950s are playing: Many Rivers To Cross from 1955 and Valley of the Kings from 1954. Both co-star Eleanor Parker. Mr. Taylor’s role of Mark Brandon is said to be the inspiration for Indiana Jones.

Many Rivers To Cross, 1955, is playing on Turner Classic Movies on Monday, June 26 at 6:00 a.m. est.

Closed Captioned.  This outrageous farce is one of my favorites–tremendous performances from both of the leads.

This wonderful rollicking comedy set in the early days of the republic, roughly sometime in the Federalist era had to take its inspiration from Seven Brides for Seven Brothers from the year before. In fact two of the brothers, Jeff Richards and Russ Tamblyn are featured in Many Rivers to Cross.

The surprise to me in this film is Robert Taylor. At the time he did this film Taylor had been doing dramatic parts for many years. He did some comedy roles in his early days at MGM, but they were the modern sophisticated sort of stuff.

Robert Taylor is Bushrod Gentry, a frontier trapper who’s a pretty fancy free and footloose sort of character very much like Adam Pontipee in Seven Brides for Seven Brothers. But while it was Howard Keel who was looking for a wife in that film, here it’s the woman who does the chasing and it’s the woman who comes from a pretty frisky frontier family herself. Eleanor Parker is Federalist era Calamity Jane who takes a real shine to Taylor.

Of course she pursues Taylor through out the film, try as he may to get back to his trapping. Their last escape from some pursuing Shawnee Indians is an absolute comic riot.

Good as Taylor and Parker are, Many Rivers to Cross almost cries for a song or two other than the theme about the Berry Tree. In a musical I could have seen Howard Keel and Doris Day doing it easily.

In any event I’m sure that when Taylor and Parker settle down and commence to having children that they were the ancestors a hundred years later of that Pontipee clan in the Pacific Northwest.  Review by bkoganbing from Buffalo, New York for the IMDb.

Valley of the Kings, 1954, is playing on Turner Classic Movies on Monday, June 26 at 4:30 P.M. est. Closed Captioned. This is another of my favorite Taylor pictures–he never looked sexier than he does here.  Mark Brandon, the ruggedly handsome archaeologist played by Robert Taylor is thought to be the inspiration for Indiana Jones.

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This is one of my favorite Robert Taylor pictures. Eleanor Parker and he had wonderful chemistry and both of them looked their best in this exotic action-adventure film.  The following is my review for the IMDb.

This isn’t a serious or “meaningful” film. It is pure entertainment, beautifully photographed on location in Egypt. The stars, Robert Taylor and Eleanor Parker, had great chemistry both off-screen and on. Taylor manages to be glamorous even when trapped in a sandstorm. The plot is relatively thin with Parker seeking to validate part of the Old Testament by finding the tomb of the Pharaoh who reigned in the time of the Biblical Joseph. She bats her eyelashes at Taylor who comes along happily. Then she introduces her husband, Carlos Thompson. There are horse and carriage chases, murders, the aforementioned sandstorm, a spectacular fight at Abu Simbel, a scorpion attack–all in ninety minutes. Given the slower pace of movies in the 1950s, there is also time for Taylor and Parker to discover each other more thoroughly (over some fermented goat). Egyptian belly dancer Samia Gamal shakes her stuff at the demure Parker. Highly enjoyable.

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One of the best screen kisses ever!

Some behind the scenes photos:

Robert Taylor horsing around with a donkey and Eleanor Parker
Looking insecure on a camel.


Famous dancer & star. SG, celebrated oriental dancer, is pictured w. RT on set of MGM’s VotK in Egypt. She dances in film while T has romantic w. EP. It is Miss G’s first appearance in a Hollywood production.
With Kurt Kazsnar and Carlos Thompson.
Eleanor Parker, Robert Taylor, Robert Pirosh.
At the Sphinx.

Eleanor Parker and Robert Taylor at the Mena House Hotel.
Touring by Carriage.


Mr. Taylor meets a camel.

Actress Eleanor Parker, on her kneels, helps Robert Taylor, dressed up as an archaeologist, to lace up a boot on the set of the movie 'Valley of the Kings'. Egypt, 1954. (Photo by Mondadori Portfolio via Getty Images)
Actress Eleanor Parker, on her knees, helps Robert Taylor, dressed up as an archaeologist, to lace up a boot on the set of the movie ‘Valley of the Kings’. Egypt, 1954. (Photo by Mondadori Portfolio via Getty Images)

Mr. Taylor injured his knee jumping off a camel and may have had difficulty lacing his boots.  They both look happy about it.

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