Lucky Night, 1939, Is Playing on TCM on May 18 (USA)

Lucky Night, 1939, is playing on Turner Classic Movies on Wednesday, May 18 at 9:45 a.m. est. This is not one of my favorite Taylor films.  He didn’t have much chemistry with Myrna Loy.  The first part is very entertaining but the film goes pretty flat after that. Both actors did their best and the film looks terrific.  It’s worth it  for Taylor or Loy fans.

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I fell in love with Bill Overton before they left the park; Cora’s inability to commit to a man before she had a sense of herself was decades ahead of its time…Bill’s “Peter Pan” tendencies are really a profound commitment to joy and surprise, and Henry O’Neill as Cora’s father is the great remediator and earns every bit of Cora’s loyalty, “high, wide and handsome”. Modern, full of stylish characters and character it’s a jaunty little Jane Austen-like morality tale of the delicate balance between taking life seriously and the honorable pursuit of never-ending impulse, of maintaining your backbone and honesty in the face of losing face, and of the rewards facing up all wrapped into one romantic comedy. Review by misshambone-581-998467 for the IMD

The second half of the movie is all about applying the frolic of the first half to the reality of day to day life…and well worth looking forward to, much less sitting through. Bill’s “idea” is to seize every opportunity, much less day, and Cora’s “practicality” is the deadening effect being reasonable at all costs can have. Henry O’Neill was a great find, and you’ll notice him more often than you’d think once you’ve identified him: as Bill’s worst enemy at the beginning of the movie, it is he, as Cora’s dad, who brings not only the couple but the theme together by the end of the movie. Deeper than it appears, it is charming through and through. Review by bonefork from the US for the IMDb.

Here are some promotional materials for the film:

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Knights of the Round Tale, 1953 Is Playing on TCM on May 10 (USA)


Knights of the Round Table
, 1953, is playing on Turner Classic Movies on Tuesday, May 10 at 7:30 a.m. est.

The film was highly successful costing $2,616,000.00 and making a profit of $1,641,000.00 or $14,536,985.95 in today’s money.

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1953 — American actors Ava Gardner and Robert Taylor on the set of Knights of the Round Table, directed by Richard Thorpe. — Image by © Kobal/Sunset Boulevard/Corbis

This is a fine example of ’50’s style epics. Big name cast, colorful costumes, flashy swordplay, beautiful damsels and wild inaccuracies. The great Robert Taylor, who starred in several historical movies, is the honorable Sir Lancelot, a far more noble and pure portrayal than was recorded in all the legends, Ava Gardner is the stunningly beautiful Queen Guinevere, the ever dependable Felix Aylmer is the mysterious Merlin, Mel Ferer is a somewhat subdued and less than charismatic King Arthur. See it for the spectacle, costumes, word-play filled dialog and over the top Stanley Baker as Sir Mordred. Lancelot’s joust with Niall Mac Ginnis is very well done. 8 stars for pure eye filling entertainment value. Review by Wayner50 (United States) for the IMDB.

Some behind the scenes photos:

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Robert Taylor and Mel Ferrer
Robert Taylor, Mel Ferrer and a lucky woman.
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Waiting.
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Coffee with Ava Gardner
Phoning.
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Robert Taylor hated armor.
Waiting

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The Gorgeous Hussy, 1936, Is Playing on TCM on April 29 (USA)

Robert Taylor & Joan in "The Gorgeous Hussy," (Photo colorized)
Joan Crawford and Robert Taylor

The Gorgeous Hussy, 1936, is playing on Turner Classic Movies on Thursday, April 28 at 6:00 a.m. est. It’s a story about Washington D.C. It’s about dirty tricks, sleazy operatives, scurrilous personal attacks and lies. The 2020 election?  No, The Gorgeous Hussy.

The story centers around Peggy O’Neill, Joan Crawford, an innkeeper’s daughter called“Pothouse Peg,” for her politics and her men. The men are a list of Metro’s best—Robert Taylor, Jimmy Stewart, Franchot Tone, Melvyn Douglas and Lionel Barrymore. Robert Taylor dominates the first quarter of the picture with his enormous energy, his playfulness, his rapport with Crawford and his skin-tight costume. Taylor even sings and dances.

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After Bow Timberlake’s (Taylor’s) heroic off screen death, things settle down. Andrew Jackson (Barrymore) dominates every scene he’s in. Beulah Bondi, as Rachel Jackson, is equally good. She won an Oscar nomination for her role. Joan Crawford is usually criticized for appearing in an historical picture because she was too “modern.” Here she handles her costumes beautifully, using her skirts to express a range of emotions. While her acting is fine, she is overwhelmed by the male contingent.

Franchot Tone, Crawford’s husband at the time, is quietly effective as Peg’s second husband John Eaton. Melvyn Douglas brings strength and intelligence to his role as Virginian John Randolph. Jimmy Stewart is wasted as Peg’s failed suitor. The Gorgeous Hussy is fun, sometimes moving and a reminder that political behavior wasn’t all that different in the 1820s.  Review by me for the IMDB.

Some behind the scenes photos:

Joan Crawford, Barbara Stanwyck, Henry Fonda, James Stewart
James Stewart, Lionel Barrymore, Robert Taylor, Joan Crawford, Melvyn Douglas, Franchot Tone
Robert Taylor and Joan Crawford playing Backgammon.
Joan Crawford and Robert Taylor studying the script.

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Johnny Eager, 1942, Is Playing on TCM on March 12 (USA)

Johnny Eager, 1942, is playing on Turner Classic Movies on Saturday, March 12 at 8:00 a.m. est. This is one of Mr. Taylor’s best. Don’t miss it.

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Robert Taylor and Lana Turner in “Johnny Eager.”

Directed by Mervyn LeRoy. Cast: Robert Taylor, Lana Turner, Edward Arnold, Van Heflin, Robert Sterling, Patricia Dane, Glenda Farrell, Barry Nelson. Slick MGM melodrama with convoluted plot about sociology student (and daughter of D.A. Arnold) Turner falling in love with unscrupulous racketeer Taylor. Heflin won Best Supporting Actor Oscar as Taylor’s alcoholic friend.(TCM)

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Having only been familiar with Robert Taylor’s body of forgettable [humpf!] work from the thirties (The Broadway Melodies, Camille, etc), seeing him in the title role of Johnny Eager was stunning. Tom Hanks’s 180 degree turn from silly comedies to Philadelphia might be a modern day equivalent. Taylor steps into a role that would seem tailor made for Bogart, Cagney or Robinson, and does an arguably better job than any of them could have. Yes, Lana Turner is present, and yes, Van Heflin won a supporting Oscar, but Taylor owns this film.

Johnny Eager is one of the best films of the 40s, as well as one of the all time greats.
(Taken from a review by Justin Behnke on the IMDB).

Some behind the scenes photos:

Robert Taylor and Mervyn LeRoy
Robert Taylor and Lana Turner
Receiving direction.
Rehearsing the ending with Robert Ssterling.
Going over the script.

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Broadway Melody of 1936, 1935, is Playing on TCM on March 7 (USA)

Broadway Melody of 1936, made in 1935, is playing on Turner Classic Movies on Monday, March 7 at 6:30 a.m. est.

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Robert Taylor, Eleanor Powell, Jack Benny, Una Merkel. June Knight, Buddy Ebsen, Vilma Ebsen.

Broadway Melody of 1936 is a confection of a movie, meant to sweeten the lives of Depression weary Americans. It stars the unlikely triumvirate of Jack Benny, Eleanor Powell and Robert Taylor. The plot is flimsy, involving the parallel efforts of a columnist (Benny) trying to save his career, a Broadway producer (Taylor) trying to find a star for his new show and a dancer (Powell) trying to get her big break on Broadway.

All this is secondary to the wonderful songs by Nacio Herb Brown and Arthur Freed: “I’ve Got a Feelin’ You’re Foolin’”; “Broadway Rhythm”; “You Are My Lucky Star”; “On a Sunday Afternoon”;” Sing Before Breakfast.” The production numbers for each song range from clever to spectacular. “I’ve Got a Feelin’ You’re Foolin” is sung by Taylor and New York actress June Knight. The special effects are a delight, especially as they are done so long before CGI.

Powell proves, as always, that she is unmatched as a dancer—her energy, grace and strength are a marvel. She dances solo, with Buddy and Vilma Ebsen, with Nick Long, Jr. and with huge choruses.

Nor can the acting be faulted. Jack Benny is excellent as the gossip-obsessed wise-cracking and scheming columnist. Robert Taylor is remarkably poised and mature for his years (24) and even has a nice singing voice. The second banana roles are filled admirably by Sid Silvers and Una Merkel. If Powell and Knight are less impressive when their feet are still, it doesn’t matter—their dancing more than redeems them.

Broadway Melody of 1936 was a high budget, high gloss, pull out all the stops, MGM production. No expense was spared for the costumes, sets, choreography or photography. The direction by Roy del Ruth is crisp and effective. We could use more films like this in our own difficult times. Review by me for the IMDB.

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Robert Taylor and June Knight filmed a dance sequence for Broadway Melody of 1936 that did not appear in the final film.  These pictures are all that is left.

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Some behind the scenes photos:

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Robert Taylor and Eleanor Powell
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June Knight, Robert Taylor

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Robert Taylor and Eleanor Powell



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