Robert Taylor on the Radio (1)

This gallery contains 5 photos.

Mme. Sans-Gene Although Robert Taylor is known today primarily as a movie and television star, he also performed in hundreds of radio plays. Some of these were adaptations of his films, others of films that he didn’t star in.  Mr. … Continue reading

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“The Gorgeous Hussy” 1936 Is Playing on TCM on May 7 (USA)

“The Gorgeous Hussy” (1936) is playing on Turner Classic Movies on Tue, May 06, 2014 04:30 AM est.(actually May 7).  *NOTE*:A TCM programming day begins at 6:00am EST on the calendar day listed and runs to 5:59am EST in the morning on the next day. Hours listed at 12:00am to 5:59am EST in your reminder will be shown on the NEXT calendar day.  Closed captioned.

RT and Joan Crawford in "The Gorgeous Hussy." 1936

Robert Taylor and Joan Crawford in “The Gorgeous Hussy.” 1936

It’s a story about Washington D.C. It’s about dirty tricks, sleazy operatives, scurrilous personal attacks and lies. The 2012 presidential campaign? No, “The Gorgeous Hussy.”

The story centers around Peggy O’Neill, Joan Crawford, an innkeeper’s daughter called “Pothouse Peg,” for her politics and her men. The men are a list of Metro’s best—Robert Taylor, Jimmy Stewart, Franchot Tone, Melvyn Douglas and Lionel Barrymore. Robert Taylor dominates the first quarter of the picture with his enormous energy, his playfulness, his rapport with Crawford and his skin-tight costume. Taylor even sings and dances.

After Bow Timberlake’s (Taylor’s) heroic off screen death, things settle down. Andrew Jackson (Barrymore) dominates every scene he’s in. Beulah Bondi, as Rachel Jackson, is equally good. She won an Oscar nomination for her role. Joan Crawford is usually criticized for appearing in an historical picture because she was too “modern.” Here she handles her costumes beautifully, using her skirts to express a range of emotions. While her acting is fine, she is overwhelmed by the male contingent.

Franchot Tone, Crawford’s husband at the time, is quietly effective as Peg’s second husband John Eaton. Melvyn Douglas brings strength and intelligence to his role as Virginian John Randolph. Jimmy Stewart is wasted as Peg’s failed suitor. “The Gorgeous Hussy” is fun, sometimes moving and a reminder that political behavior wasn’t all that different in the 1820s.  Review by me for the IMDB.

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The Taylor Haters (II): Robert Taylor Unperson

This gallery contains 9 photos.

Robert Taylor knew exactly what he was getting into when he testified before the House Un-American Activities Committee in 1947.  The haters had come after him the previous May when he had met with investigators in what he had been … Continue reading

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“The Bribe” (1949) Is Playing on TCM on April 30 (USA)

“The Bribe” (1949) is playing on Turner Classic Movies on Wednesday, April 30 at 10:00 a.m. est.  Closed captioned.

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“The Bribe” is one of the forties film noir entries, and I love it! Top stars of the era include Robert Taylor, Ava Gardner, Charles Laughton, and Vincent Price. It is a story of an honest cop, Rigby played with remarkable insight, by Robert Taylor, who falls in love with a suspect (Ava Gardner), and can’t make up his mind on if she is guilty or innocent. John Hodiak is the husband, who is a former fly boy turned crook. Charles Laughton is at his sinister best as the “pie shaped man” who is hired by Vincent Price to pay off Rigby. Laughton dogs Rigby, knowing that he is in love with Gardner, till he caves in and decides to take a bribe to save his love. As in many film noir, only Taylor’s last name is used, we never know Rigby’s first name, interesting. Taylor is very convincing as a man torn between love and honor. He is so conflicted, that you feel sorry for him, wishing that Ava would just run away with him before he turns crook himself. She drugs him and makes sure he can’t stop the crooks, but he recovers, and confronts her, not realizing the trouble she is in herself. In the end, love and honor conquer all. There is a spectacular fireworks ending, that is reminiscent of “Ride the Pink Horse.” All in all the love scenes are sincere, probably because Taylor and Gardner were having an affair at the time of filming, despite the fact that Taylor was very married to Barbara Stanwyck. Quintessential film noir. Review by mamalv for IMDB.

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“Tip on a Dead Jockey” 1957 Is Playing on TCM on April 29 (USA)

“Tip on a Dead Jockey” (1957), is playing on Turner Classic Movies on Tue, April 29, 2014 11:00 PM est. Not closed captioned.

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Dorothy Malone and Robert Taylor sing a duet.

Tip on a Dead Jockey looks at the plight of a veteran pilot who is suffering from what we now call post-traumatic stress disorder. Lloyd Tredman (Robert Taylor) has decided to drift along in life, hiding away from family and friends in Madrid. His wife (Dorothy Malone) was about to divorce him, at his request, but changes her mind and goes after her man. Taylor is living on the fringes of Madrid society, giving rowdy parties and avoiding work. He is also carrying on a mild flirtation with his neighbor (Gia Scala) wife of his service buddy (Jack Lord). After losing his shirt when a jockey is killed during a race, Taylor is handed an offer by Martin Gabel–a simple matter of flying some currency from one point to another–illegal but not dangerous. He at first refuses then accepts the offer to save Lord from doing it and becoming a criminal. Taylor has to overcome his terror of flying to help his friend. Marcel Dalio provides some comic relief as does Joyce Jameson as a drunken lady who doesn’t know how she ended up in Taylor’s bed. Nothing goes smoothly, of course, drugs enter the picture and Taylor has to decide what he will or will not do. The film was originally scheduled to be directed by Orson Welles but he dropped out and Richard Thorpe took over. Not a great film but solid entertainment done professionally by a very good cast. Review by me for TCM.

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